Pluta’s studio practice embraces photography as a way of interpreting and re-conceptualising the function that images have in the present. Negotiating the possibilities of how material forms come together, she draws largely on finding, fragmenting, translating and reconfiguring things that are both photographed and found. Conceptually anchored in the effects of globalisation and Pluta’s own personal experience as a migrant to Australia, her creative pursuit seeks to articulate a fluid mode of moving through, and being in, the world. These ideas have led her to using a discursive photographic vocabulary as a purveyor of temporality, mutability and the impermanence of places. Pluta mediates on images with all their potential connections all at once, questioning how things from one place fit into another and speaking to experiences of place in the face of our changing environmental and societal condition.