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  • Jordan Gogos Ray of Light, 2022 Off-cut leather, cotton tulle, synthetic and natural fibres, chiffon, cotton, crepe, lace, off-cut leather, linen, satin, silk, wool, nylon bonded thread, natural and synthetic threads. 179 x 149 cm
    Jordan Gogos
    Ray of Light, 2022
    Off-cut leather, cotton tulle, synthetic and natural fibres, chiffon, cotton, crepe, lace, off-cut leather, linen, satin, silk, wool, nylon bonded thread, natural and synthetic threads.
    179 x 149 cm
  • Jordan Gogos Could be curated, 2023 off-cut leather, cotton tulle, synthetic and natural fibres, chiffon, cotton, crepe, lace, off-cut leather, linen, satin, nylon bonded thread, natural and synthetic threads 230 x 200 cm
    Jordan Gogos
    Could be curated, 2023
    off-cut leather, cotton tulle, synthetic and natural fibres, chiffon, cotton, crepe, lace, off-cut leather, linen, satin, nylon bonded thread, natural and synthetic threads
    230 x 200 cm
  • Tammy Kanat Dancing Flow, 2021 tapestry wool, copper in a brass frame 150 x 150 x 5 cm
    Tammy Kanat
    Dancing Flow, 2021
    tapestry wool, copper in a brass frame
    150 x 150 x 5 cm
  • Donna Marcus RANGE, 2018 vitreous enamel on mild steel 38 x 38 x 38 cm
    Donna Marcus
    RANGE, 2018
    vitreous enamel on mild steel
    38 x 38 x 38 cm
  • Izabela Pluta An over air pursuit of likeness (formation study 4), 2021 Pigment print on Eco Solvent Cotton Rag paper (collaged cyanotype contact negatives) 110 x 78 cm Edition of 3 plus 2 artist's proof
    Izabela Pluta
    An over air pursuit of likeness (formation study 4), 2021
    Pigment print on Eco Solvent Cotton Rag paper (collaged cyanotype contact negatives)
    110 x 78 cm
    Edition of 3 plus 2 artist's proof
  • Izabela Pluta An over air pursuit of likeness (formation study 5), 2021 Pigment print on Eco Solvent Cotton Rag paper (collaged cyanotype contact negatives) 135 x 78 cm Edition of 3 plus 2 artist's proof
    Izabela Pluta
    An over air pursuit of likeness (formation study 5), 2021
    Pigment print on Eco Solvent Cotton Rag paper (collaged cyanotype contact negatives)
    135 x 78 cm
    Edition of 3 plus 2 artist's proof
  • Rive Roshan Spin Vessel Small , 2022 3D Printed Sand 13 x 22 x 22 cm Edition of 50 plus 2 artist's proofs
    Rive Roshan
    Spin Vessel Small , 2022
    3D Printed Sand
    13 x 22 x 22 cm
    Edition of 50 plus 2 artist's proofs
  • Rive Roshan Flow Vessel , 2022 3D Printed Sand 42 x 35 x 42 cm Edition of 100 plus 2 artist's proofs
    Rive Roshan
    Flow Vessel , 2022
    3D Printed Sand
    42 x 35 x 42 cm
    Edition of 100 plus 2 artist's proofs
  • Abdullah M. I. Syed Money Black Flag: USA Flag (1 US$ Verso), 2022 Machine embroidery on 1 US dollar bill 42 x 32 cm (framed) Edition of 10 + 3 AP
    Abdullah M. I. Syed
    Money Black Flag: USA Flag (1 US$ Verso), 2022
    Machine embroidery on 1 US dollar bill
    42 x 32 cm (framed)
    Edition of 10 + 3 AP
  • Abdullah M. I. Syed Money Red White Blue Flag: USA Flag (1 US$ Verso), 2020 embroidery, 1 US dollar bill 42 x 32 cm (framed) Edition of 10 + 3 AP
    Abdullah M. I. Syed
    Money Red White Blue Flag: USA Flag (1 US$ Verso), 2020
    embroidery, 1 US dollar bill
    42 x 32 cm (framed)
    Edition of 10 + 3 AP
  • Sarah Rayner Distance of a Whisper … Group M, 2023 hand carved porcelain 43 x 8 x 7 cm
    Sarah Rayner
    Distance of a Whisper … Group M, 2023
    hand carved porcelain
    43 x 8 x 7 cm
  • Sarah Rayner Distance of a Whisper … Group H, 2023 hand carved porcelain and entomology pin 47 x 16 x 5.5 cm
    Sarah Rayner
    Distance of a Whisper … Group H, 2023
    hand carved porcelain and entomology pin
    47 x 16 x 5.5 cm
  • Olive Gill-Hille RISE, 2021 Margaret River Marri, natural, satin 19 x 40 x 34.5 cm
    Olive Gill-Hille
    RISE, 2021
    Margaret River Marri, natural, satin
    19 x 40 x 34.5 cm
  • Olive Gill-Hille UNTITLED, 2021 Great Southern Jarrah, burnt, ebonised, satin 30 x 56 x 46 cm
    Olive Gill-Hille
    UNTITLED, 2021
    Great Southern Jarrah, burnt, ebonised, satin
    30 x 56 x 46 cm
  • Angela Valamanesh Shades of pollen: yellow to red, (remembering Dorothy Hodges), big, 2019 Acrylic on paper 140 x 109 cm (unframed)
    Angela Valamanesh
    Shades of pollen: yellow to red, (remembering Dorothy Hodges), big, 2019
    Acrylic on paper
    140 x 109 cm (unframed)
  • Angela Valamanesh Shades of pollen: yellow to green, (remembering Dorothy Hodges), big, 2019 Acrylic on paper 140 x 109 cm (unframed)
    Angela Valamanesh
    Shades of pollen: yellow to green, (remembering Dorothy Hodges), big, 2019
    Acrylic on paper
    140 x 109 cm (unframed)
  • Lisa Reihana Come With Us, 2022 Pigment print on cotton rag paper, mounted on aluminium dibond behind acrylic glass 120 x 153 cm (image size) Edition of 5 + 2 AP
    Lisa Reihana
    Come With Us, 2022
    Pigment print on cotton rag paper, mounted on aluminium dibond behind acrylic glass
    120 x 153 cm (image size)
    Edition of 5 + 2 AP
  • Lisa Reihana Emissary No.3 - Nootka Ancestor Pigment print, diasec facemount, mounted on dibond Small: 53 x 80 cm Edition 1 of 3 + 2 AP Medium: 100 x 150 cm Edition 2 of 3 + 2 AP Large: 146 x 220 cm Edition 3 of 3 + 2 AP
    Lisa Reihana
    Emissary No.3 - Nootka Ancestor
    Pigment print, diasec facemount, mounted on dibond
    Small: 53 x 80 cm
    Edition 1 of 3 + 2 AP

    Medium: 100 x 150 cm
    Edition 2 of 3 + 2 AP

    Large: 146 x 220 cm
    Edition 3 of 3 + 2 AP
  • Lisa Reihana Flogging (22340), 2017 pigment print on paper, mounted on aluminium dibond behind acrylic glass 76.2 x 100 x 0.6 cm Edition 7 of 9 + 2 AP
    Lisa Reihana
    Flogging (22340), 2017
    pigment print on paper, mounted on aluminium dibond behind acrylic glass
    76.2 x 100 x 0.6 cm
    Edition 7 of 9 + 2 AP
  • Lisa Reihana PELT Camarillo, 2016 pigment print on paper 129 x 129 x 5.5 cm (framed) 120 x 120 cm (sheet) Edition 6 of 10 + 2 AP
    Lisa Reihana
    PELT Camarillo, 2016
    pigment print on paper
    129 x 129 x 5.5 cm (framed)
    120 x 120 cm (sheet)
    Edition 6 of 10 + 2 AP
  • Fernando do Campo Kounellis would have used Coal River coal, 2018 acrylic on canvas 120 x 100 cm
    Fernando do Campo
    Kounellis would have used Coal River coal, 2018
    acrylic on canvas
    120 x 100 cm
  • Fernando do Campo 365 Daily Bird Lists (February 23rd 2019), 2020 acrylic paint on board 25 x 30 cm
    Fernando do Campo
    365 Daily Bird Lists (February 23rd 2019), 2020
    acrylic paint on board
    25 x 30 cm
  • Edward Waring Champagne Table #28, 2018 vintage crystal and glass, epoxy adhesive 49 x 35 cm
    Edward Waring
    Champagne Table #28, 2018
    vintage crystal and glass, epoxy adhesive
    49 x 35 cm
  • Edward Waring Deirdre, 2022 vintage crystal and glass, epoxy adhesive, acrylic paint, hard acrylic extender 38 x 14 cm
    Edward Waring
    Deirdre, 2022
    vintage crystal and glass, epoxy adhesive, acrylic paint, hard acrylic extender
    38 x 14 cm
  • Sally Smart Performing Movement #2 (The Artist's Ballet), 2021-2022 mixed media on paper 76 x 56 cm 83 x 63 cm (exhibition frame)
    Sally Smart
    Performing Movement #2 (The Artist's Ballet), 2021-2022
    mixed media on paper
    76 x 56 cm
    83 x 63 cm (exhibition frame)
  • Sally Smart Choreographing Collage #2 (The Artist's Ballet), 2021 mixed media on paper 76 x 56 cm 83 x 63 cm (exhibition frame)
    Sally Smart
    Choreographing Collage #2 (The Artist's Ballet), 2021
    mixed media on paper
    76 x 56 cm
    83 x 63 cm (exhibition frame)
  • Jacky Redgate Untitled #1, 1989 Cibachrome photograph on aluminium 113 x 141 cm (sheet) Edition of 5 + 1 AP
    Jacky Redgate
    Untitled #1, 1989
    Cibachrome photograph on aluminium
    113 x 141 cm (sheet)
    Edition of 5 + 1 AP
  • Jacky Redgate Light Throw (Mirrors) Fold b, 2013-2014 silver halide Chromogenic photograph handprinted 126 x 158 cm Edition of 3 + 1 AP
    Jacky Redgate
    Light Throw (Mirrors) Fold b, 2013-2014
    silver halide Chromogenic photograph handprinted
    126 x 158 cm
    Edition of 3 + 1 AP
  • Tarryn Gill Guardian (Scallop), 2016 mixed media (EPE foam, hand stitched fabrics, artificial human eyes, artificial human teeth) 98 x 130 x 60 cm
    Tarryn Gill
    Guardian (Scallop), 2016
    mixed media (EPE foam, hand stitched fabrics, artificial human eyes, artificial human teeth)
    98 x 130 x 60 cm
  • Tarryn Gill Guardian Scallop, 2020 bronze cast of fabric and sculpey 20 x 15 x 15 cm
    Tarryn Gill
    Guardian Scallop, 2020
    bronze cast of fabric and sculpey
    20 x 15 x 15 cm
  • Marion Borgelt Living Spiral: Variation No. 1, 2021 flaked and polished granite with plantings (16 granite components of varying sizes, price does not include plants however, the artists is happy to consult on them) 215 x 200 x 40 cm
    Marion Borgelt
    Living Spiral: Variation No. 1, 2021
    flaked and polished granite with plantings (16 granite components of varying sizes, price does not include plants however, the artists is happy to consult on them)
    215 x 200 x 40 cm
  • Marion Borgelt Lunar Circle: Figure J, 2022 ABS polymer, mirror acrylic, polyurethane, 22 ct gold leaf (Moon Gold) Ø 150 x 10 cm
    Marion Borgelt
    Lunar Circle: Figure J, 2022
    ABS polymer, mirror acrylic, polyurethane, 22 ct gold leaf (Moon Gold)
    Ø 150 x 10 cm
  • Marion Borgelt Liquid Light: 81 Degrees, 2020 acrylic, canvas, timber 150 x 150 x 4 cm
    Marion Borgelt
    Liquid Light: 81 Degrees, 2020
    acrylic, canvas, timber
    150 x 150 x 4 cm
  • Jonathan West Heavy Chair, 2017 American ash, American oak, ebonised oak 86.5 x 56 x 58 cm
    Jonathan West
    Heavy Chair, 2017
    American ash, American oak, ebonised oak
    86.5 x 56 x 58 cm
  • Jake Rollins GW764, 2019 770 golf balls and yachting rope 70 x 46 x 51 Edition of 3 + 1 AP
    Jake Rollins
    GW764, 2019
    770 golf balls and yachting rope
    70 x 46 x 51
    Edition of 3 + 1 AP
  • David Tate Skip, 8, 2021 American Black Walnut 49 x 43 x 45 cm
    David Tate
    Skip, 8, 2021
    American Black Walnut
    49 x 43 x 45 cm
  • Kristen Wang Kristen Wang 'Re.Bean Coffee Table', 2019 used coffee ground waste, disposed hessian coffee bean bag natural, biodegradable binding 50 x 80 x 80 cm
    Kristen Wang
    Kristen Wang 'Re.Bean Coffee Table', 2019
    used coffee ground waste, disposed hessian coffee bean bag natural, biodegradable binding
    50 x 80 x 80 cm
  • Noel Surti Serpentile, 2019 Glass Fibre Reinforced Concrete, Painters Rag 65 diam x 70 cm
    Noel Surti
    Serpentile, 2019
    Glass Fibre Reinforced Concrete, Painters Rag
    65 diam x 70 cm
  • Damien Wright Spin Side Table, 2020 10,000 year old Ancient red gum 40 x 48 x 48 cm Edition of 10 plus 2 artist's proofs
    Damien Wright
    Spin Side Table, 2020
    10,000 year old Ancient red gum
    40 x 48 x 48 cm
    Edition of 10 plus 2 artist's proofs
  • Olive Gill-Hille Nocturne, 2022 ebonised American Black Walnut 90 x 140 x 120 cm
    Olive Gill-Hille
    Nocturne, 2022
    ebonised American Black Walnut
    90 x 140 x 120 cm
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20 McLachlan Avenue, Rushcutters Bay NSW 2011

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