Lisa Reihana is a multi-disciplinary artist whose practice spans film, costume and body adornment, text and photography.
Since the 1990s, Reihana has significantly influenced the development of Māori art in Aotearoa New Zealand and contemporary art globally. She has earned an outstanding reputation as an artist, producer and cultural interlocutor with her attention to the complexities of contemporary photographic and cinema languages expressed in a myriad of ways. Her ability to harness and manipulate seductively high production values is often expressed through portraiture where she explores how identity and history are represented, and the intersection of these ideas with concepts of place and community.
Reihana has exhibited widely both in museums and biennales around the world, and is found in important private and museum collections in New Zealand and Internationally. In 2017, Reihana represented New Zealand at the Venice Biennale with her large-scale video installation in Pursuit of Venus [infected] (2015-17). The work premiered at the Auckland Art Gallery in May 2015 and has since become a seminal work in Aotearoa New Zealand's art history canon. in Pursuit of Venus [infected] has since been shown around the world and garnered widespread critical acclaim.
Other notable solo exhibitions include Extracts, Gallery Sally Dan-Cuthbert, Sydney, 2023, Nomads of the Sea, Gallery Sally Dan-Cuthbert, Sydney, 2020, Mai i te aroha, ko te aroha, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand, 2008; Lisa Reihana: Digital Marae, Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2007; and Native Portraits n.19897, Museo Laboratorio di Arte Contemporanea, Rome, Italy, 2007.
Her work has featured in important group exhibitions nationally and internationally including Te Wheke-a-Muturangi: The Adversary, Sydney Festival, Sydney, 2023; NIRIN, 22nd Biennale of Sydney, 2020; Oceania, Royal Academy, London, England, 2018; Pacific Sisters: Fashion Activists, Te Papa Tongarewa: Wellington, New Zealand, 2018; Tai Whetuki – House of Death Redux, The Walters Prize 2016, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand, 2016; Suspended Histories, Museum Van Loon, Amsterdam, Netherlands, 2013; Close Encounters: The Next 500 Years, Plug In ICA, Winnipeg, Canada, 2011; Global Feminisms, Brooklyn Museum, New York, USA, 2007; and Paradise Now? Contemporary Art from the Pacific, Asia Society Museum, New York, 2004.
Reihana’s most ambitious video work to date, GROUNDLOOP (2022), was recently commissioned by the Art Gallery of New South Wales for the launch of the much-anticipated Sydney Modern, and can currently be viewed in the North Building. In 2014, Reihana was awarded an Arts Laureate Award by the Arts Foundation of New Zealand. She was subsequently awarded the Te Tohu Toi Ke Te Waka Toi Maori Arts Innovation Award from Creative New Zealand in 2015, and in 2018 was made a Member of the New Zealand Order of Merit.
