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  • Offsite | Onsite

     

  • OFFSITE/ONSITE IS A group exhibition presenting work by artists who are currently exhibiting in public galleries and museums around the world. 

  •  

    SALLY SMART

     

  • Sally Smart, Modelling (The Artist’s Ballet), 2023-2025,
    Artworks

    Sally Smart

    Modelling (The Artist’s Ballet), 2023-2025,
    synthetic polymer pop paint on canvas textile with various collage elements,
    custom wooden frame

    217 x 135 cm
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  • OFFSITE | Beyond the Ballerina,

    OFFSITE | Beyond the Ballerina

    Wyndham Art Gallery | Werribee, VIC

    10 OctOBER - 21 DecEMBER 2025

     
    When movement becomes visual art.
     
    The practice of Dance is multi-dimensional. It crosses many mediums, cultural contexts, locations and forms. Beyond the Ballerina looks at dance through the visual arts, taking the art form out of the theatre and off the stage, placing it in the gallery, seen through the eyes of visual artists. 
     
    Eight artists, working across diverse media, explore the future of dance as it merges with ritual, landscape, and technology. Through collaboration with dancers—and using photography, video, virtual reality, augmented reality, and 3D video—they challenge our understanding of what dance is, where it can be experienced, and how we engage with it.
  •  

    JACKY REDGATE

  • Jacky Redgate, STRAIGHTCUT #18, 2001–2003
    Artworks

    Jacky Redgate

    STRAIGHTCUT #18, 2001–2003
    silver halide chromogenic photograph (vintage print)
    75 x 95 cm [image]
    96 x 115 cm [frame]
    Edition 3 of 5
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  • Offsite: Women photographers 1853–2018

    Offsite: Women photographers 1853–2018

    National Gallery of Australia | Canberra, ACT

    11 October 2025 - 1 March 2026

     
    Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.
     
    Since its inception, the National Gallery’s photography collection has reflected the vital place of women in the medium’s history. Some of its earliest acquisitions were major works by women.
     
    As a result, the National Gallery is uniquely placed to consider how photography has changed the worlds in which women live, and how women have changed photography. As the great modernist photographer Lucia Moholy wrote, ‘Photography has not only changed the way we see the world but also how we see ourselves.’
     
    For women artists, making photographs has always been an act of resistance. Photography has given women access to spaces of knowledge, artistic practices and technology from which they were previously excluded.

     

    This exhibition features work spanning more than 160 years of women working with photography.

  • OFFSITE | Straightcut

    OFFSITE | Straightcut

    Latrobe Regional Gallery | Morwell, VIC

    21 June - 21 September 2025 

     

    Anchored by Jacky Redgate’s STRAIGHTCUT series, the exhibition explores photography’s engagement with abstraction, representation and landscape. These works illustrate the medium’s capacity to both interrogate and transcend the literal.

     

    Featuring works from the Latrobe Regional Gallery Collection, STRAIGHTCUT shines a spotlight on the artistry of local photographers alongside some of Australia’s most renowned names in the discipline.

     

    Spanning decades of photographic practice, from as early as 1933, STRAIGHTCUT invites viewers to explore the diversity and depth of photographic expression, showcasing the talent and technical skill that define the medium.

     

    This selection of gems from the Gallery’s permanent collection offers visitors an opportunity to appreciate and reflect on these significant works, including the focal STRAIGHTCUT series by Jackie Redgate, in dialogue with the vibrant works from local Gippsland photography clubs in the neighbouring Gippsland Interclub Photography Exhibition.

  •  

    Prue Venables

    • Prue Venables Symphony, 2024 thrown and altered Limoges porcelain 14 x 33 x 28 cm
      Prue Venables
      Symphony, 2024
      thrown and altered Limoges porcelain
      14 x 33 x 28 cm
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    • Prue Venables Consonance, 2025 thrown Jingdezhen porcelain, thrown and altered Limoges porcelain 17 x 21 x 21 cm 34 x 11 x 9.5 cm
      Prue Venables
      Consonance, 2025
      thrown Jingdezhen porcelain, thrown and altered Limoges porcelain
      17 x 21 x 21 cm
      34 x 11 x 9.5 cm
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  • OFFSITE: Sempre,
    News

    OFFSITE: Sempre

    Shepparton Art Museum | Shepparton, VIC

    18 October 2025 - 19 April 2026

     
    Prue Venables is one of Australia’s most accomplished ceramicists, with a demonstrated mastery of porcelain. Practising since 1977, her work has evolved from traditional functional objects to groups of abstract sculptural entities that inventively play with form and space.
     
    Discussing her practice, Venables says:
     
    "Science and music led me to ceramics. I’m fascinated by the beauty of functional objects at the core of our lives. I love feeling clay in my hands. Decades of experimentation with high-temperature porcelain (and now metal) across studio and industrial domains inform my practice as I search for elegance and harmony. Through throwing, I create forms to be altered and reconstructed, procedures in this material that are challenging and risky, requiring great skill and precision, yet with results that appear simple and deny the inherent complexity of their origin. The grouping of objects, always a central premise of my work, facilitates allusions to musical and narrative themes."

     

     
  • OLIVE GILL-HILLE

    • Olive Gill-Hille Untitled Burnt Work, 2021 Great Southern Jarrah, burnt, ebonised, satin 47 x 63 x 57 cm
      Olive Gill-Hille
      Untitled Burnt Work, 2021
      Great Southern Jarrah, burnt, ebonised, satin
      47 x 63 x 57 cm
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    • Olive Gill-Hille Soothe, 2025 salvaged Fremantle Tuart 108 x 34 x 250 cm
      Olive Gill-Hille
      Soothe, 2025
      salvaged Fremantle Tuart
      108 x 34 x 250 cm
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  • OFFSITE: Rigg Design Prize,

    OFFSITE: Rigg Design Prize

    The Ian Potter Centre: NGV | MELBOURNE, VIC

    19 September 25 – 1 February 26

     

    The Rigg Design Prize is Australia’s most prestigious accolade for contemporary design. Since its inception in 1994, this triennial prize exhibition has featured over one hundred designers across a range of disciplines, celebrating their creative achievements and providing a valuable platform for visibility, recognition and impact. For its landmark tenth edition in 2025, the $40,000 prize will be awarded to an early-career Australian design practice, drawing attention to the new generation of talent. Bringing together emerging designers, the exhibition spans ceramics, glass, furniture, woodwork, metalwork, textiles, lighting and contemporary jewellery, presenting ambitious works that reflect bold approaches to materiality, form and function.
     
    Early-career practitioners play a crucial role in shaping Australia’s design ecosystem and culture. They bring bold ideas and fresh perspectives that challenge conventions and expand the possibilities of design and making. The Rigg Design Prize 2025 – Next in Design – recognises the energy, ingenuity and vision of emerging designers who are making important contributions to their fields.
  • TAMMY KANAT

    • Tammy Kanat Breathe (Moss Sky), 2023 woollen tapestry, brass frame 108 x 108 cm
      Tammy Kanat
      Breathe (Moss Sky), 2023
      woollen tapestry, brass frame
      108 x 108 cm
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  • OFFSITE: Circle of Her,

    OFFSITE: Circle of Her

    Jewish Museum of Australia | MELBOURNE, VIC

    18 SepTEMBER 2025 – 22 MarACH 2026

     

    The Jewish Museum of Australia is excited to present our latest Eva and Marc Besen Contemporary Artist Commission, Tammy Kanat: Circle of Her, from 18 Sep 2025 – 22 Mar 2026.


    A series of powerful new works by fibre artist Tammy Kanat, Circle of Her explores Jewish female archetypes through large-scale woven installations. The exhibition reimagines traditional narratives through a contemporary lens — with vibrant colour, intricate texture and a deeply symbolic approach.

    As valued members, we invite you to come into our circle and contribute to the exhibition's design. Join curator Esther Gyorki for a rock wrapping workshop – no experience necessary, just a willingness to create and connect.
  • FERNANDO DO CAMPO

  • Fernando do Campo, Night Pollen, Blackberry and Wattle lunawuni/Bruny Island, 2024
    Artworks

    Fernando do Campo

    Night Pollen, Blackberry and Wattle lunawuni/Bruny Island, 2024
    acrylic on canvas
    122 x 101 cm
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  • Offsite: Yield

    Offsite: Yield

    Caboolture Regional Art Gallery | Caboolture, QLD

    20 September 2025 - 14 MarCH 2026

     

    Yield is a contemporary unearthing of our cultivated identity.
     
    Through artworks from local, national and internationally recognised artists, the exhibition digs deep into this country’s agricultural history.
     
    Branching off from the story of prominent local Dr Joseph Bancroft - leader in experimental agriculture and medicine –Yield considers the legacies of early agricultural practices and how we continue to be impacted by them today. 
     
    Connect with our extensive program. Find your new favourite art and artists in daily highlights tours. Join us for discussions to listen and reflect on what shapes our cultivated identity.
     
    There are drop-in activities for all ages, and you can book into a workshop to get hands-on.
  • OFFSITE: Strange Kingship

    OFFSITE: Strange Kingship

    Hervey Bay Regional Gallery | Hervey Bay, QLD

    23 AugUST - 16 NovEMBER 2025

     

    Drawing on our region’s reputation as a whale watching capital, 'Strange Kinship' brings together international and Australian artists to examine our desire to understand and connect with animals.
     
    Artworks in Strange Kinship look specifically at animals with significance to Butchulla Country—such as whales, sharks, dolphins and birds—exploring the very human ways in which we come to identify or disidentify with these species. Taking its name from the work of French philosopher Maurice Merleau-Ponty, Strange Kinship asks us to consider our co-habitation of a shared physical world, while acknowledging the unique ways we experience and inhabit it through our vastly different bodies.

    Featured artists trace the importance of mythology, spirituality and storytelling in connecting with animals in the past and present. Some artworks delve into the deep human desire to communicate with and better understand non-human life, exposing the limits of our perception and prompting curious speculation. While other works reveal how animals are turned into images, products, and attractions—caught in cycles of consumption that threaten their survival.

    Rather than attempting to represent non-human perspectives, Strange Kinship inverts the gaze, inviting deeper reflection on human nature and how culture shapes our perception of the world around us.
  • IZABELA PLUTA

    • Izabela Pluta Shadowing #1, 2023 jacquard tapestry 86 x 61 cm
      Izabela Pluta
      Shadowing #1, 2023
      jacquard tapestry
      86 x 61 cm
  • OFFSITE: Down Deep: Living Seas, Living Bodies

    OFFSITE: Down Deep: Living Seas, Living Bodies

     State Art Gallery in Sopot | Sopot, Poland

    30 October 2025 – 4 April 2026

     

    Izabela Pluta joins international artists as part of group exhibition and research project In Depth: Living Seas, Living Bodies, presented at the State Art Gallery in Sopot, Poland. The exhibition explores our physical, mental, emotional, and spiritual connections to the ocean — the central question being what it means to "become ocean," that is, to surrender our human bodies to the vast body of water that covers over two-thirds of the Earth. 

     

     
  • LISA REIHANA

    • Lisa Reihana Waiora, 2025 photograph on Fuji crystal flex paper, mounted on aluminium 164 x 120 cm Edition of 5 plus 2 AP (Edition record)
      Lisa Reihana
      Waiora, 2025
      photograph on Fuji crystal flex paper, mounted on aluminium
      164 x 120 cm
      Edition of 5 plus 2 AP
      (Edition record)
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    • Lisa Reihana Mangroove, 2025 photograph on Fuji crystal flex paper, mounted on aluminium 120 x 164 cm Edition of 5 plus 2 AP (Edition record)
      Lisa Reihana
      Mangroove, 2025
      photograph on Fuji crystal flex paper, mounted on aluminium
      120 x 164 cm
      Edition of 5 plus 2 AP
      (Edition record)
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  • Offsite: Grounded

    Offsite: Grounded

    LA County Museum | Los Angeles, USA

    September 14, 2025 - June 21, 2026

     

    LAMCA’s Grounded brings together 35 artists based in the Americas and the Pacific to showcase 40 works, spanning the 1970s to today, which invite visitors to see land not just as terrain, but as a foundation for exploring ecology, sovereignty, memory, and home. The exhibition features Lisa Reihana’s monumental video installation In Pursuit of Venus [infected] that reimagines colonial narratives from her perspective as a Māori artist.

  • Offsite: Voyager, Inaugural international artist solo exhibition

    Offsite: Voyager, Inaugural international artist solo exhibition

    Ngununggula, 1 Art Gallery Lane | BoWral, NSW

    6 September - 9 November 2025

     

    Ngununggula presents its inaugural international exhibition featuring acclaimed Aotearoa artist Lisa Reihana. The exhibition reveals the spectrum of Reihana’s artistic practice, showcasing a suite of digital artworks and photography, including a new iteration of her digital artwork Māramatanga and a site-specific outdoor installation that will see the artist wrap the front of the gallery with hundreds of reflective discs, glistening and moving with the wind. 

  • Donna Marcus

    • Donna Marcus Pleat, 2025 aluminium, anodises aluminium, adhesive 85 x 71 x 4 cm
      Donna Marcus
      Pleat, 2025
      aluminium, anodises aluminium, adhesive
      85 x 71 x 4 cm
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    • Donna Marcus White Extract, 2011 ceramic, stainless steel, adhesive, grout Ø 42 cm
      Donna Marcus
      White Extract, 2011
      ceramic, stainless steel, adhesive, grout
      Ø 42 cm
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  • Offsite: Finalist Woollahra Small Sculpture Prize

    Offsite: Finalist Woollahra Small Sculpture Prize

    Woollahra Gallery at Redleaf | Double Bay, NSW

    26 September - 16 November 2025

     

    Woollahra Gallery at Redleaf has announced the finalists for the 2025 Woollahra Small Sculpture Prize, Australia’s most prestigious award for small-scale sculpture.

     
    Now in its 24th year, the Prize continues to highlight the dynamic and diverse creativity that defines contemporary sculpture. The selected works reflect the innovation and depth of the medium, spanning a variety of materials, forms, and themes. The 55 finalists were chosen from 736 international and local entries and represent the remarkable breadth of sculptural practice today. This year’s finalists explore the transformative potential of materials, including ceramic, matchboxes, paper pulp, neon, photographic paper, hand blown glass and resin poured and frozen in time. Their works explore themes such as joy, grief, identity, transformation, knowledge and memory.
     
    Gallery Director, Sep Pourbozorgi said: "These works are engaging in ways both intimate and expansive. They highlight how choices of scale and material shape our experiences."
     
    Woollahra Mayor Sarah Dixson said: "I am delighted and intrigued by the ideas expressed in this year’s finalist sculptures, and so pleased that Woollahra Council is able to provide a platform to showcase the works of such talented artists. We look forward to welcoming visitors to our gallery in September to experience their creativity."
  • OFFSITE: Finalist in Gosford Regional Gallery Art Prize

    OFFSITE: Finalist in Gosford Regional Gallery Art Prize

    Gosford Regional Gallery | Gosford, NSW

    06 September - 09 November 2025

     
    Gosford Regional Gallery is pleased to present Gosford Art Prize 2025.

     

    The Gosford Art Prize started as a community-driven project in 1970, and has grown to become one of the highlights of our exhibition calendar and an important part of the cultural landscape of the Central Coast.  The 2025 iteration is the 26th time the prize will be presented at Gosford Regional Gallery, and it continues to grow in size and popularity every year.

     

    The competition is open to all artists across Australia and attracts entries in all mediums from traditional forms to new media artworks. This year, the prize pool is valued at $55,000 and includes the acquisitive Gosford Art Prize worth $25,000, the Ceramics Prize $10,000, the First Nations Artist Prize $10,000 and the inaugural Moving Image Art Award $10,000.

     

    Events: We invite you to Gosford Art Prize 2025 winner Diana Baker-Smith's artist talk on Saturday 18 October 2025, or join us for a panel discussion with three remarkable artists - Jake Starr, Beverly Smith and Nick Collerson - on Saturday 1 November 2025.

  • Kyoko Hashimoto

    • Kyoko Hashimoto and Guy Keulemans Bioregional Rings (Sydney Basin), 2021 coal, Yellowblock sandstone, Hawkesbury sandstone, oyster shell, coral, beach stone, sea sponge, fishing line, sand, ash, neodymium magnet, glue and sterling silver Collection of 12 rings dimensions variable
      Kyoko Hashimoto and Guy Keulemans
      Bioregional Rings (Sydney Basin), 2021
      coal, Yellowblock sandstone, Hawkesbury sandstone, oyster shell, coral, beach stone, sea sponge, fishing line, sand, ash, neodymium magnet, glue and sterling silver
      Collection of 12 rings
      dimensions variable
      Enquire
      %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EKyoko%20Hashimoto%20and%20Guy%20Keulemans%3C/strong%3E%3C/div%3E%3Cdiv%20class%3D%22title%22%3E%3Cem%3EBioregional%20Rings%20%28Sydney%20Basin%29%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ecoal%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EYellowblock%20sandstone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EHawkesbury%20sandstone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eoyster%20shell%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecoral%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ebeach%20stone%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esea%20sponge%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Efishing%20line%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esand%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eash%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eneodymium%20magnet%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eglue%20and%20sterling%20silver%20%3Cbr%3ECollection%20of%2012%20rings%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3Edimensions%20variable%3C/div%3E%20
  • Offsite: Eight Million Deities (Yaoyorozu no Kami)

    Offsite: Eight Million Deities (Yaoyorozu no Kami)

    Art Gallery of South Australia | Adelaide, SA 

     22 August - 2 November 2025

     

    Japanese-born South Australian artist and 2023 Guildhouse Fellow Kyoko Hashimoto presents an exhibition of her work titled Eight Million Deities (Yaoyorozu no Kami), as part of her Guildhouse Fellowship. The exhibition is the culmination of a year of intensive research by the artist during a pivotal time in her life.

     

    After a period of ill health in 2022, Hashimoto asked herself: ‘What is my purpose as an artist, in this world?’ The answers to her question were personal and universal, with her exhibition imagining a more sustainable way of living, whereby the health of the human body intimately mirrors the health of the ecological world.

     

    Hashimoto moved away from the hard metals of her practice as a contemporary jeweller. Instead, she used foraged plant materials transforming them into a range of paper mâché objects or collaged into intricately patterned necklaces or sculptures.

     

    Similarly, rocks from her garden were pounded to create paints. The imagery of her abstract paintings was inspired by the petrographic structure of those rocks, their appearance captured by microscopy at a specialist laboratory in Adelaide. The geological formation of the land on which Hashimoto works was revealed through the wafer-thin slices of rock pressed onto glass plates.

  • Offsite: Making Good Redesigning the Everyday

    Offsite: Making Good Redesigning the Everyday

    The Ian Potter Centre: NGV Australia | Melbourne, Vict

    29 August 25 – 1 February 26

     
    Making Good: Redesigning the Everyday explores how designers are reshaping the products and systems that shape our daily lives – transforming them into solutions that are better for people and the planet. From biodegradable packaging to sofas that embrace you, clothing that adapts as you grow, concrete made from coffee grounds, and air-purifying paints, the exhibition brings together innovations that reduce waste, extend product lifespans, and recalibrate the systems and sectors we interact with every day – from health to fashion and furniture, food and construction.
     
    Through objects that are functional, beautiful, and environmentally conscious, Making Good showcases how design can drive positive change. Featured works demonstrate the power of material innovation, ethical production, and user-centred design to create products that are as thoughtful as they are practical. By prioritising longevity, social impact, and ecological responsibility, this exhibition focuses on the bright side of design today.
     
    Making Good brings together the work of more than 50 contemporary designers, studios, and brands from Australia and abroad who are rethinking how we live, one object, system, and interaction at a time. Featuring new materials and prototypes alongside everyday products and design from the NGV Collection, Making Good offers a hopeful glimpse into how everyday design can positively shape our lives.
  • ANGELA VALAMANESH

    • Angela Valamanesh Hung Up, 2023 ceramic 44 x 24 x 7 cm
      Angela Valamanesh
      Hung Up, 2023
      ceramic
      44 x 24 x 7 cm
      Enquire
      %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EAngela%20Valamanesh%3C/strong%3E%3C/div%3E%3Cdiv%20class%3D%22title%22%3E%3Cem%3EHung%20Up%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2023%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eceramic%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E44%20x%2024%20x%207%20cm%3C/div%3E%20
  • Offsite: Sculpture by the Sea Scholarship Recipient

    Offsite: Sculpture by the Sea Scholarship Recipient

    Bondi to Tamarama coastal walk | Sydney, Australia

    17 October – 3 November 2025

     
    Sculpture by the Sea will return to Bondi in 2025 as the world’s largest free to the public sculpture exhibition. The spectacular coastal walk will once again transform into a 2km long sculpture park featuring 100 sculptures by artists from Australia and across the world.
     
  • JAKE ROLLINS

    • Jake Rollins GW432, 2019 432 golf balls, yachting rope 40 x 40 x 40 cm (Edition record)
      Jake Rollins
      GW432, 2019
      432 golf balls, yachting rope
      40 x 40 x 40 cm
      (Edition record)
      Enquire
      %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EJake%20Rollins%3C/strong%3E%3C/div%3E%3Cdiv%20class%3D%22title%22%3E%3Cem%3EGW432%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2019%3C/div%3E%3Cdiv%20class%3D%22medium%22%3E432%20golf%20balls%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eyachting%20rope%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E40%20x%2040%20x%2040%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3E%3C/div%3E%20%3Cdiv%20class%3D%22show_only_in_cms%22%3E%28Edition%20record%29%3C/div%3E
  • Offsite: 2nd Place Finalist - Make Award

    Offsite: 2nd Place Finalist - Make Award

    Australian Design Centre | Darlinghurst NSW

    10 October—22 November 2025

     
    We are delighted to announce the selected finalists for the 2025 MAKE Award: Biennial Prize for Innovation in Australian Craft and Design.
     
    The MAKE Award: Biennial Prize for Innovation in Australian Craft and Design is an Australian Design Centre initiative founded in 2023 with the support of a generous philanthropist. It is the richest non-acquisitive prize for craft and design in Australia. The winner will receive a cash prize of $35,000 and a second prize of $10,000 will be awarded.
     
    Australian designer makers were encouraged to submit a work that demonstrated innovation in technique or material use and is an extension of their usual practice.
     
    A total of 197 entries were received from artists working in object design and material practice across the fields of ceramics, glass, furniture, metal, jewellery, textiles and fibre.
    The judges have selected 36 finalists.
     
  • Sabine Marcelis

    • Sabine Marcelis Shadow light, Stone, 2022-ongoing coloured mirror, frosted glass, LED Ø 110 cm Custom colour and sizes available Edition of 3 plus 2 AP (Edition record)
      Sabine Marcelis
      Shadow light, Stone, 2022-ongoing
      coloured mirror, frosted glass, LED
      Ø 110 cm
      Custom colour and sizes available
      Edition of 3 plus 2 AP
      (Edition record)
    • Sabine Marcelis Seeing Glass, Off Round Hue 3, Sunrise, 2021-ongoing coloured mirror 137 x 112 cm In collaboration with Brit van Nerven
      Sabine Marcelis
      Seeing Glass, Off Round Hue 3, Sunrise, 2021-ongoing
      coloured mirror
      137 x 112 cm
      In collaboration with Brit van Nerven
  • Work Acquired by Art Gallery of South Australia

    Work Acquired by Art Gallery of South Australia

    Art Gallery of South Australia | Adelaide, SA

     
    Born in the Netherlands in 1985 and raised in New Zealand, designer Sabine Marcelis graduated from the Design Academy of Eindhoven before setting up her studio in 2011 in the Netherlands. For Marcelis, the interplay of light, colour, materiality and form drive her process-driven practice. She has spent a decade experimenting with resin and glass, creating products, interiors, and installations. These components form a key part of her practice and her work has long explored the possibilities of uniting them to create contemporary works of design.  Growing up in New Zealand, Marcelis spent time in nature as a child, by the sea and in the ocean. Her design practice draws inspiration from the interplay of light in the sky, the ocean, and the snow to create beautiful and ever-changing moments in the design of objects for interiors. As a mirror, light and sculpture, Shadow light forms a dynamic combination of colour and light. Radiating an ethereal glow, the work appears as a mid-eclipse mirror, with a silvery, coral-coloured crescent and encircled by a LED light.

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