Current viewing_room
synthetic polymer pop paint on canvas textile with various collage elements, custom wooden frame
217 x 135 cm
Sally Smart is one of eight notable artists exhibiting in Wyndham Art Gallery’s Beyond the Ballerina, which explores dance through the visual arts.
Sally Smart’s The Artist’s Ballet (2020-2025) is an immersive iterative series with detailed, assemblage compositions, including painting, textiles, film and suspended sculptural elements (puppets). Smart’s practice embodies a long-held commitment to feminism and the desire to take risks and transcend boundaries. The monumental textiles consider the performance of making and the making of performance, but purposely disrupts both modalities.
silver halide chromogenic photograph (vintage print)
75 x 95 cm [image]
96 x 115 cm [frame]
Edition 3 of 5 + 1 AP
Jacky Redgate’s Light Throw (Mirrors) #8 (2011) is presented in the National Gallery’s Women photographers 1853–2018, an exhibition highlighting the transformative impact of women artists on the history of photography.
A key figure in Australian art since early-1980s, Jacky Redgate is regarded as one of Australia's leading contemporary artists. For the past 20 years, Redgate has worked almost solely with mirrors, rebounding light from mirror props onto a flat substrate in her Light Throw (Mirror), 2009–ongoing, series, which, when folded, became a mathematical device for the camera lens. Reflecting on the traditions of modernity, her mirror works use objects, light and colour, blurring distinctions between mediums, painting and photography, and genres, still life and abstraction.
Shepparton Art Museum presents Sempre, a collection of expertly crafted objects that explore Prue Venables’ fascination with the beauty of functional objects at the core of our lives.
Venables is one of Australia’s most accomplished ceramicists, with a demonstrated mastery of porcelain. Her work over the past forty years has evolved from traditional and functional objects to sculptural entities that inventively play with form and space.
“Procedures in this material are challenging and risky, requiring great skill and precision, yet with results that appear simple and deny the inherent complexity of their origin.” – Prue Venables
The Rigg Design Prize is Australia’s most prestigious accolade for contemporary design – recognising the energy, ingenuity and vision of emerging designers who are making significant contributions to their fields.
Olive Gill-Hille’s Memento (2025) responds to the Rigg Design Prize’s invitation to create an ambitious work that reflects bold approaches to materiality, form and function.
Favouring handmade processes and ethically sourced Western Australian timbers, Gill-Hille sculpts emotionally resonant furniture characterised by organic forms.
woollen tapestry, brass frame
108 x 108 cm
acrylic on canvas
122 x 101 cm
Fernando Do Campo's most ambitious installation to date is currently presented as part of the 2025 edition of BIENALSUR – 10 YEARS.
An 80-metre-long site-specific textile installation, do Campo's Gorriones y Eucaliptos Rosados / Sparrows and Pink Eucalyptus (2025) is part of his ongoing HSSH (House Sparrow Society for Humans) project, which began in New York in 2015. The introduction of sparrows to America and Australia in the 19th century serves as the guiding thread of the research. The project traces the introduction of these birds from Liverpool to Brooklyn, Melbourne, and Buenos Aires between 1856 and 1876, using archives, fieldwork, and birdwatching.
Fernando do Campo joins local, national and internationally recognised artists in Caboolture Regional Art Gallery’s exhibition Yield – a contemporary unearthing of our cultivated identity, the legacies of early agricultural practices and how we continue to be impacted by them today.
Yield presents paintings by do Campo that explore flora and fauna he encounters and the histories they carry. Artworks like these hold within them a true narrative, which celebrates storytelling painting and brings a contemporary and fresh perspective to the greater Australian story.
Drawing on the region’s reputation as a whale watching capital, Hervey Bay Regional Gallery presents Strange Kinship, an exhibition that examines our desire to understand and connect with animals.
Fernando do Campo's pratice considers histories of non-human species via anthropomorphism, speculative fiction, autobiography, fieldwork and archival research. Whalebone Arch, Acclimatisation Society of Queensland Gardens 1887-1956, 2025 tells an important story of place through do Campo's signature layering of colour and pattern.
jacquard tapestry
86 x 61 cm
Izabela Pluta joins international artists as part of group exhibition and research project In Depth: Living Seas, Living Bodies, presented at the State Art Gallery in Sopot, Poland. The exhibition explores our physical, mental, emotional, and spiritual connections to the ocean.
Pluta presents an iteration of Like folds in water (caustic network), first exhibited at Australian Centre for Contemporary Art (ACCA) in 2024. Building on fieldwork undertaken at the Heron Island Research Station, Pluta poetically harnesses the embodied experience of diving to disrupt traditional photographic vision, exploring ways of seeing that might destabilise terrestrial-based knowledge.
Held in the permanent collection of the LA County Museum of Art (LACMA), Lisa Reihana's monumental video installation In Pursuit of Venus [infected] is now on exhibition as part of Grounded.
LAMCA’s Grounded brings together 35 artists based in the Americas and the Pacific, presenting works spanning the 1970s to today, which invite visitors to see land not just as terrain, but as a foundation for exploring ecology, sovereignty, memory, and home.
Ngununggula presents its inaugural international exhibition featuring acclaimed Aotearoa artist Lisa Reihana. The exhibition reveals the spectrum of Reihana’s artistic practice, showcasing a suite of digital artworks and photography, including a new iteration of her digital artwork Māramatanga and a site-specific outdoor installation that sees the artist wrap the front of the gallery with hundreds of reflective discs, glistening and moving with the wind.
Donna Marcus is a finalist in Gosford Art Prize 2025 presented by Gosford Regional Gallery. The Gosford Art Prize started as a community-driven project in 1970, and has grown to become an important part of the cultural landscape of the Central Coast.
"Apple invited me to create different installations within The Bbservatory for the launch (of the new iPhone) that would allow people to experience the new products in different ways. I really zoomed in on different elements of the Apple software, the Liquid Glass, which is a sort of a natural marriage between what I already do with this lensing effect and the layering of colour." - Sabine Marcelis
ceramic
44 x 24 x 7 cm
coal, Yellowblock sandstone, Hawkesbury sandstone, oyster shell, coral, beach stone, sea sponge, fishing line, sand, ash, neodymium magnet, glue and sterling silver
Collection of 12 rings
dimensions variable
Making Good: Redesigning the Everyday explores how designers are reshaping the products and systems that shape our daily lives – transforming them into solutions that are better for people and the planet.
Kyoko Hashimoto and Guy Keulemans' Bioregional rings (Northern Flinders subregion), 2024, is a collection of 16 sculptural rings made from wood and paper from native timbers, yakka resin, and ochre. Through objects that are functional, beautiful, and environmentally conscious, we can consider how design can drive positive change.
After a period of ill health in 2022, Hashimoto asked herself: ‘What is my purpose as an artist, in this world?’ The answers to her question were personal and universal, with her exhibition imagining a more sustainable way of living, whereby the health of the human body intimately mirrors the health of the ecological world.
432 golf balls, yachting rope
40 x 40 x 40 cm
Jake Rollins has been awarded second place for the MAKE Award: Biennial Prize for Innovation in Australian Craft and Design - the Australian Design Centre's initiative founded in 2023 that celebrates innovation in technique or material.
“The judges were deeply impressed by the level of craft and design excellence and innovation in the works.”
Made from 3744 golf balls, SOFA1 is the latest expression of GolfWeave, a body of work using golf balls as beads and the principles of triaxial weaving to create human-scaled, functional objects.

+612 9357 6606
20 McLachlan Avenue, Rushcutters Bay, SYDNEY, AUSTRALIA, 2011
gallery@sallydancuthbert.com
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