David Tate
Bullfight, 2022
American Oak, Tasmanian Oak, Mdf, Marine ply, cow hide, cow leather, faux fur, fibre glass
199 x 70 x 147 cm
Shelf Height: 29.5cm (top), 27.5 (middle), 40cm (bottom)
Shelf Height: 29.5cm (top), 27.5 (middle), 40cm (bottom)
David Tate’s cabinet is a striking and dynamic piece that strives to capture an alternate perspective on a bullfight. Contrasting the dynamism and softness of the flowing pink form that...
David Tate’s cabinet is a striking and dynamic piece that strives to capture an alternate perspective on a bullfight.
Contrasting the dynamism and softness of the flowing pink form that represents the matador’s cape, the solid, dark cabinet stands in defiance, negating the capes movement in a dramatic, frozen moment.
Unlike the usual depictions of a raging bull delirious with aggression, in this representation, the bull embodies a sense of strength and calmness in his refusal to engage in the violence. Subverting our understanding of bullfights, Tate instead highlights bullfighting not as a heroic act on behalf of the matador, but rather a cowardly and vain one, which is orchestrated to inflate our sense of triumph and power.
Drawing on his own experience growing up on a cattle farm and understanding bulls as gentle and peaceful giants, he uses the work to prompt a shift in our understanding of the animal, but also as a symbol to ask the question, what are we prepared to stand against?
Contrasting the dynamism and softness of the flowing pink form that represents the matador’s cape, the solid, dark cabinet stands in defiance, negating the capes movement in a dramatic, frozen moment.
Unlike the usual depictions of a raging bull delirious with aggression, in this representation, the bull embodies a sense of strength and calmness in his refusal to engage in the violence. Subverting our understanding of bullfights, Tate instead highlights bullfighting not as a heroic act on behalf of the matador, but rather a cowardly and vain one, which is orchestrated to inflate our sense of triumph and power.
Drawing on his own experience growing up on a cattle farm and understanding bulls as gentle and peaceful giants, he uses the work to prompt a shift in our understanding of the animal, but also as a symbol to ask the question, what are we prepared to stand against?
Exhibitions
Melbourne Design Fair (Group Exhibition). Melbourne Convention Centre, Melbourne. 18 May 2023 - 21 May 2023New Australian Design. Powerhouse Museum, Sydney. 15 September 2022 - 30 April 2023Join our mailing list
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