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Ivana Taylor Design

Ivana Taylor Design

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Open a larger version of the following image in a popup: Ivana Taylor Design, Beau, 2019
Open a larger version of the following image in a popup: Ivana Taylor Design, Beau, 2019
Open a larger version of the following image in a popup: Ivana Taylor Design, Beau, 2019
Open a larger version of the following image in a popup: Ivana Taylor Design, Beau, 2019

Ivana Taylor Design

Beau, 2019
American White Ash, linen, wool, foam
54 x 54 x 36 cm
* Fabrics and colours provided upon request and determine final price
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Further images

  • (View a larger image of thumbnail 1 ) Ivana Taylor Design, Stillness Daybed, 2020
  • (View a larger image of thumbnail 2 ) Ivana Taylor Design, Stillness Daybed, 2020
  • (View a larger image of thumbnail 3 ) Ivana Taylor Design, Stillness Daybed, 2020
  • (View a larger image of thumbnail 4 ) Ivana Taylor Design, Stillness Daybed, 2020
The Beau stool embodies the qualities that its title suggests: affection, sensuality and intrigue. Amplifying soft, tactile comfort and playfulness, the Beau Stool distills the process, texture and aesthetic qualities...
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The Beau stool embodies the qualities that its title suggests: affection, sensuality and intrigue. Amplifying soft, tactile comfort and playfulness, the Beau Stool distills the process, texture and aesthetic qualities that have evolved from a long-standing fixation on wrapping and binding. It evolved after graduating, during my time in the renowned Associate Program in the Furniture studios at JamFactory Contemporary Craft and Design's. A wool and linen cushion, edged with flat piped seams, is bound to a white ash stool frame using knotting. The repeated wrapping of the knots functions as a glue-less and metal-free fastening to the stool and visually contorts the cushions into a soft, chunky, bow-like expression. The result is a seductive soft seat that gently hugs and supports the sitter. With the various layers of different textiles and forms, intriguing textures accommodate the human desire for touch and kinaesthetic experience. The design was driven by the principles of design-for-disassembly through the use of a continuous knotting and wrapping to attach and remove the upholstery without toxic adhesives and metal components that blend disparate materials in ways that prevent easy recycling or re-use. The timber seat can be used in its naked form or re-wrapped, engaging the same ritual process of binding the textiles flesh to the timber bones.
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Exhibitions

Ivana Taylor, Reframe (Solo Exhibition). Gallery Sally Dan-Cuthbert, Sydney. 25 November, 2021 - 19 December, 2021.
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