Lisa Reihana
Come With Us, 2022
Pigment print on cotton rag paper, mounted on aluminium dibond behind acrylic glass
120 x 153 cm (image size)
Edition of 5 + 2 AP
Copyright The Artist
Nomads of the Sea weaves historical fact with fiction to explore the social tension between cultural leadership, spiritual custom and egotistical desire in the face of foreign political challenge in...
Nomads of the Sea weaves historical fact with fiction to explore the social tension between cultural leadership, spiritual custom and egotistical desire in the face of foreign political challenge in 1800’s New Zealand. Through Storyteller, a mythical figure who slips between masculine and feminine voices, the viewer learns of Charlotte Badger, a pakeha (Western) female mutineer who fled Australia, and Puhi, a proud woman of Ngā Puhi descent who becomes jealous of Charlotte’s rising status.
In the early days of colonisation, when intermarriage, trading and the procurement of muskets were seen as essential to Māori survival, Māori Chief Huri Waka welcomes the fugitive Charlotte into his tribal homelands under his protection, thereby upsetting the traditional role of women in Aotearoa as the matriarchs, owners of property and spiritual custodians. Charlotte’s presence not only introduces the concept of material wealth and the spoils of England but also draws parallels between the worth of foreign women and the musket. As a Pakeha Māori—Europeans adopted and co-opted by the Māori—she is used to increase prowess, gain strategic ability and ultimately counteract the spread of Western power. He wai ngunguru, the installation’s centrepiece, explores these cultural circumstances for women, contrasting European law with Māori culture and morality.
Nomads of the Sea, 3D film, was exhibited on Cockatoo Island as part of NIRIN, Biennale of Sydney 2020.
In the early days of colonisation, when intermarriage, trading and the procurement of muskets were seen as essential to Māori survival, Māori Chief Huri Waka welcomes the fugitive Charlotte into his tribal homelands under his protection, thereby upsetting the traditional role of women in Aotearoa as the matriarchs, owners of property and spiritual custodians. Charlotte’s presence not only introduces the concept of material wealth and the spoils of England but also draws parallels between the worth of foreign women and the musket. As a Pakeha Māori—Europeans adopted and co-opted by the Māori—she is used to increase prowess, gain strategic ability and ultimately counteract the spread of Western power. He wai ngunguru, the installation’s centrepiece, explores these cultural circumstances for women, contrasting European law with Māori culture and morality.
Nomads of the Sea, 3D film, was exhibited on Cockatoo Island as part of NIRIN, Biennale of Sydney 2020.
